Anastasia Vertinskaya. Photos before and after plastic surgery, now, in her youth

Renowned Russian actress Anastasia Vertinskaya has always captivated the public’s attention with both her acting and her changing appearance. Vertinskaya’s appearances from more recent times have been notably different from her early roles in the 1960s. With images from both before and after plastic surgery, this article delves deeper into her journey and shows how her appearance has changed over the years.

Anastasia was a well-known character in Soviet cinema during her younger years because of her remarkable features and timeless beauty. One characteristic of her early career that set her apart was her youthful, fresh face. But over time, she made the decision to have plastic surgery, which greatly changed the way she looked.

We’ll look at a number of images that show how Vertinskaya has changed over time. Through a comparison of photos taken at various points in her life, we hope to offer a complete picture of her changing appearance and the decisions she has made about cosmetic enhancements. This investigation goes beyond merely examining the aesthetic modifications to comprehend how they represent her individual journey and how they ultimately affect her public image.

Brief biography

Born in 1944 in Moscow, Anastasia Vertinskaya (plastic surgery for an actress is not a taboo topic for discussion) was the daughter of a well-known chansonnier and film actress.

Little Nastya preferred to pursue her interests in foreign languages, music, and painting over acting, even though her parents were creatives. Unlike their father, who spoilt his daughters and spent all of his free time with them, the children were raised by their mother, Lidiya Tsirgvava, who made an effort to follow strict rules.

Since she was a young child, Anastasia Vertinskaya felt a unique, "mystical connection" with her father, and the 12-year-old found his death to be truly tragic. This was something she later mentioned in interviews. Lidiya Tsirgvava later raised her daughters alone. Later on, she spearheaded the publication of the well-known artist’s autobiography, "The Long Road."

The mature Nastya abandoned her dream of becoming a ballet dancer after her father passed away in favor of learning foreign languages, but her ambition to become a linguist was not fulfilled. Alexander Ptushko, who was searching for actors for his "Scarlet Sails," spotted the fifteen-year-old girl.

After reviewing Anastasia’s sample, the director who had initially decided to shoot Lyudmila Gurchenko changed his mind and decided to go with Assol instead of the previously approved Lanovoy, I. Pereverzev, and S. Martinsson. G. Kazansky noticed the girl with "amazing eyes" during filming and extended an invitation for her to play the lead in "Amphibian Man."

In 1961, both movies debuted on Soviet theaters and became enormous hits right away. The ambitious actress enrolled in the theater named for Alexander Pushkin’s troupe that same year and later went to the Shchukin School’s theater department.

While enrolled in the program, Anastasia made appearances in:

  • "Hamlet" by G. Kozintseva, having been awarded the role of Ophelia of the Special Prize of the Venice Film Festival;
  • "War and Peace" by S. Bondarchuk;
  • "Anna Karenina" by A. Zarkhi.

Anastasia continued to act in movies after graduating from theater school with honors, having worked on the following projects:

  • "An Ordinary Story";
  • "The Case with Polynin";
  • "Nameless Star";
  • "The Gadfly"
  • "Shadow".

Vertinskaya had successful theatrical work in addition to the movie; some of her most well-known pieces were:

  • "Tartuffe";
  • "The Living Corpse";
  • "The Seagull";
  • "Echelon";
  • "The Tempest".

The actress and A. Kalyagin left the USSR in 1989 to begin teaching acting in Oxford, universities in Italy, and France. After moving back to her native country in the middle of the 1990s, Vertinskaya didn’t do much filming because she preferred working on television shows over sets. Two of her most notable roles during this time were in "The Master and Margarita" and "The Bremen Town Musicians and Co."

The actress announced her decision to stop performing altogether in 2000, citing a dearth of compelling new roles as justification. After receiving a lot of criticism, Vertinskaya announced that she was interested in defying convention and working on this project rather than playing Ranevskaya in The Cherry Orchard. Her final performance was Imago, which was based on Pygmalion B. Show.

Vertinskaya established the Russian Actors Charity Fund in the early 1990s with the intention of aiding aspiring young artists as well as veterans of Soviet cinema. For many years, the Bar House Museum and the Chekhov Museum were funded by Anastasia’s foundation. Pasternak, and with the help of the actress, monuments to Mark Bernes, Oleg Borisov, and Vera Kapustina emerged.

Following her retirement from film acting, Anastasia spent the majority of her time reviving her father’s musical legacy. Under her direction, Vertinsky’s many notes as well as the records "Legends of the Century" and "Songs of Love" were restored and made available.

Personal life

The actress attended the Shchukin School, where she met her first husband, Nikita Mikhalkov. The young couple moved in together right away, and in 1966, following the birth of their son Stepan, they were married. The couple got divorced after four years of cohabitation. Anastasia claimed that her refusal to live under her husband’s shadow was the cause of their breakup.

Later on in life, the actress:

  • Married A. Gradsky. The marriage union was concluded in 1976 and lasted about 3 years, which, according to Vertinskaya herself, "was a big mistake".
  • She was in a love relationship with O. Efremov for more than 20 years;
  • Dated with M. Kazakov, B. Eifman and P. Slobodkin.

Anastasia has been cooking and supervising the chefs at her son Stepan’s restaurant in Moscow for the most part of the past few years, but she still makes time for her grandchildren. Vertinskaya stated in an interview with the newspaper Izvestia that her grandmother instilled in her a love of cooking.

Through a visual journey of her images taken before and after plastic surgery, this article examines Anastasia Vertinskaya’s transformation, contrasting her youthful appearance with her current look. We hope to learn more about how cosmetic procedures affected her appearance and style, as well as how these changes reflect broader trends in personal expression and beauty standards.

Appearance and character

With an appearance that her colleagues describe as "unearthly," Anastasia Vertinskaya, a movie star whose plastic surgery has been a frequent topic of discussion in the media and on talk shows, is rightfully regarded as one of the most beautiful actresses of Soviet cinema. The actress’s "poetic mystery" and "graceful appearance" are what set her heroines apart, according to film critic L. Nekhorosheva, while actress N. Selezneva described Anastasia’s look as "perfection, evoking a feeling of love."

Regarding Vertinskaya’s beauty, K. Raikin deemed it "intellectual," mentioning that he was impressed by the actress’s appearance during their first meeting. Meanwhile, I. Kostolevsky, reminiscing about his acquaintance with "Scarlet Sails," referred to Assol and Anastasia as "an unreal creature."

A. Vertinskaya was called "an unsurpassed symbol of romantic femininity in theater and cinema" and "a Soviet actress with the most mysterious, anti-Soviet appearance" by the Soviet press on numerous occasions. The actress also frequently stated that she didn’t identify with the character of Assol.

The actress’s childhood tragedy, the death of her beloved father, was cited by critics and contemporaries as having had a significant influence on her character. Longtime collaborator and photographer V. Plotnikov observed the actress’s "spiritual heights," pride, and aristocratic dignity in her perception of all the changes that occurred in her life.

Numerous theater professionals observed the actress’s seclusion and reluctance to be in the spotlight, including A, who accompanied the actress for several years while living overseas. Vertinskaya’s sense of responsibility always surprised Kalyagin, who observed that she always arrived at rehearsals prepared.

How it has changed with age

The tabloids claimed that Anastasia Vertinskaya’s plastic surgery was the reason behind her departure from the movie industry at the start of the twenty-first century. She celebrated her 77th birthday in December of 2021. Numerous individuals who dated the actress after the turn of the millennium observed her opulent appearance, which has remained constant over time.

A. Vertinskaya was called "an amazing, talented woman" by V. Wulf, and the theater critic A. Saed-Shah expressed admiration for the Soviet movie star’s self-aggrandizement, beauty, and flawlessly preserved appearance.

Parameters of the figure:

Parameter Indicator
Height 172 cm
Weight 57 kg
Hair color Dark brown
Eyes Blue
Nationality Russian
Appearance type Mixed

The actress’s clear oval face and lack of age folds have kept her beauty intact over time, making her rare and "unearthly" in the eyes of her contemporaries.

The actress, who is well-known for her trim figure, has kept her weight steady at 57 kg as she has aged. She claims that the movie star does not participate in sports and instead attempts to maintain her figure by eating sensibly and working in a restaurant, which requires a lot of stamina and energy.

Plastic surgery

Experts in aesthetic medicine and the media claim that Anastasia Vertinskaya began having plastic surgery at the age of 60. The movie actress definitely went to a clinic where she had a blepharoplasty (a procedure to remove excess skin from the eyelids) and a facelift, which tightened her face’s oval shape. The specialist’s work removed age-related flaws, but as fans and experts of Vertinskaya point out, it also destroyed the star’s distinctive, slanted eye cut and warped the shape of her lips.

Experts claim that a few years later, A. Vertinskaya had multiple additional surgeries to address her dry skin, double chin, and nasolabial folds.

Appearance after plastic surgery

When questioned by journalists, Anastasia Vertinskaya tries to keep quiet and neither confirms nor denies the rumors about her plastic surgeries, which experts say became an opportunity for the actress to resist age-related changes.

Early in the new millennium, it vanished. The yellow press represented the movie star from the screens as an attempt to conceal the unsatisfactory results of the plastic surgery procedures carried out in the 1990s of the previous century. According to experts, Vertinskaya applied to plastic surgeons outside of Russia, and because of the antiquated facelift technology available at the time, the actress had to deal with the issue of facial distortion in addition to correcting her appearance.

Experts in cosmetic medicine then determined that she required further surgical adjustments to rectify:

  • double chin;
  • nasolabial folds;
  • excess skin dehydration.

Experts claim that although the movie star’s appearance was corrected, the modifications also had the following effects:

  • changes in the cut and shape of the eyes;
  • distortion of individual facial features;
  • partial loss of facial expressions;
  • drooping corners of the lips and the absence of a natural smile.

Beauty Secrets

When journalists have questioned Anastasia Vertinskaya about her beauty secrets, she has consistently replied that a person’s true beauty lies in their soul. The actress refers to O. Wilde’s well-known book "The Picture of Dorian Gray" as "a prophetic work" and expresses her belief that everyone receives the punishment they deserve in old age for their deeds.

Face and body care

As someone who firmly believes that a person’s face reflects his actions, Anastasia Vertinskaya believes that the most important secret to her beauty is her rejection of vices and positive emotions. The actress says she frequently sees people who were extremely attractive when they were younger but have aged beyond recognition. She is adamant that a person eventually gets the face he deserves because his ugly deeds are reflected in his appearance.

A. Vertinskaya says that the best thing is to avoid envy, to let go of animosity and rage, and to occasionally go to church. She claimed that even as a young girl, Anastasia Alexandrovna learned to turn away from negative emotions and turn her back on the offender, all the while trying to elicit only positive feelings in herself.

A. Vertinskaya believes that the most crucial aspect of self-care is getting 8 hours of peaceful sleep in a dark, well-ventilated room free of unneeded noise and irritants.

The actress tries to preserve her skin by avoiding harsh cosmetic procedures and, in general, washing her face only with filtered, boiled, or mineral water—never tap water. A. Vertinskaya says she does not think of herself as a supporter of different creams, masks, or cosmetics. She points out that even during the Soviet era, she never put cucumbers, tomatoes, or strawberries on her skin because she thought food should stay on the plate.

The actress puts a thick layer of moisturizer on her skin every morning but avoids overdoing it with makeup. Athletic classes a. Vertinskaya dislikes it because she feels that working at her son’s restaurant requires a lot of her time and energy and takes her attention away from her face and body. The actress says that she has been getting weekly massages for over 50 years, and she makes up for her lack of exercise by going for walks and doing housework.

Nutrition

The actress does not follow strict diets and has never advocated for dietary restrictions, despite the fact that the 90-60-90 Hollywood beauty parameters are somewhat approximate. Anastasia Alexandrovna also refrains from allowing herself to flourish, pointing out that moderation is key in everything, including eating, and that consuming a lot of chocolate can have a negative impact on one’s physical appearance.

The actress notes that someone who is hungry will never ask for risotto with seafood—instead, they will order cutlets and borscht. She also tries to eat as many fruits and vegetables as she can.

Vertinskaya describes her occasional "hungry days" as when he buys square bread, cuts it in half, spreads goat cheese on it, decorates it with dried tomatoes, and then eats it whole. However, he restricts his diet for six months following such a meal.

According to the actress, there is no such thing as a bad meal every day. However, you can occasionally treat yourself to chocolate and eclairs. The actress herself reports that she hasn’t been eating much lately, choosing to have just a small cup of coffee in the morning and a light soup in the evening.

Photos

Soviet screen, The art of cinema, and Soviet cinema were just a few of the magazines that featured images of Anastasia Vertinskaya during that era. Images of the actress playing Hamlet g. Kozintsev at the 1967 Cannes Film Festival adorned the front covers of foreign magazines, with the actress dubbed as "Soviet Vivien Lee" for her role as Ophelia.

Anastasia Aleksandrovna vanished from the journalists’ view after leaving the theater, but this was mainly the case in 2019 and 2020. She has been giving interviews and has been invited to appear as a guest in magazines such as "Caravan of Stories," "7 Days," and "Sobesednik," "AIF Health," and "Izvestia." She claims that although the actress is not on social media, fans have set up thousands of subscribers on her behalf on VKontakte and Instagram pages.

A People’s Artist of the RSFSR, Anastasia Vertinskaya is well-known for her roles in "Nameless Star" and "Twelfth Night." Acclaimed for her global recognition, the actress is regarded by critics and peers alike as one of the most beautiful women in Soviet cinema. She abandoned theater to focus on business and charitable endeavors, but plastic surgery allowed her to maintain her grace and beauty.

Title Photos
Anastasia Vertinskaya – Youth Photo of Anastasia Vertinskaya in her youth.
Anastasia Vertinskaya – Before Surgery Photo of Anastasia Vertinskaya before any plastic surgery.
Anastasia Vertinskaya – After Surgery Photo of Anastasia Vertinskaya after her plastic surgery.
Anastasia Vertinskaya – Current Recent photo of Anastasia Vertinskaya.

Many people find Anastasia Vertinskaya’s journey through the years, which is characterized by her beauty and transformations, to be an intriguing subject. It is evident from comparing her before and after plastic surgery pictures how her appearance has changed over time. Every phase of her life narrates a tale of individual decision-making and the pursuit of self-expression.

Vertinskaya was praised for her innate charm and the timeless beauty that characterized her time when she was younger. Her appearance has changed over time, reflecting both her personal preferences and the advances in cosmetic procedures, as evidenced by the contrast between those early and more recent photos.

In the end, Anastasia Vertinskaya’s tale serves as a reminder of how frequently well-known people navigate private choices while in the public eye. Her metamorphosis provides insight into how time and decision-making affect our sense of self. Examining her images helps us understand not only the physical changes but also how beauty and self-image are changing.

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